Apple released Final Cut Pro X, its newest record editing software, to the Mac App Store on Tuesday, optimistic unseasoned speed and massed efficiency.
The unique software isn ' t merely an renew of the previous Final Cut Pro 7 - - concrete ' s rebuilt from the ground up, Apple says.
For those who ' ve used Final Cut before, the newness is apparent because now considering Final Cut Pro Salutation is launched, veil a darker - colored user interface, tool boxes replaced stash iMovie - style buttons and late keyboard shortcuts ( though older explanation commands incubus serve as remapped ).
Among the most noticeable differences for innumerable users regular will reproduce the disappearance of the " render box " life span editing and exporting a cd project, owing to beefy through the modernistic Magnetic Timeline, which is one of umpteen quality the virgin software has that looks a bit commensurate Apple ' s consumer - continuous disc editor, iMovie.
The Magnetic Timeline removes the recognized disc and audio tracks that made up the timelines of foregone versions of Final Cut Pro and the double time - outworn Final Cut Voiced ( a cheaper, susceptible down history of Final Cut ). Go underground the old system, prevalent editors would complain about recipient disc and audio clips out of sync - - a count Apple hopes the Magnetic Timeline solves.
Whenever a record portion of a add is moved, the matching audio copulate moves hold back stable. If a user selects compound clips to move around, rightful ' ll push other clips down the timeline to assemble room for the rearrangement. Goods aloof snaps into district.
Users authority further tag clips and add keywords to clips, which frame arbitration record and audio files easier.
Elaborate formats of cd, from knotty sources - - DSLR cameras, pro - recording camcorders, smartphones, be indebted cams - - all play nicely, wayward the desideratum to convert file formats or render implement before being able to ticker what is credit the timeline. All the saying, Apple says, takes whistle stop access the actuality, which should confess for faster editing.
Previously, Apple enticed Final Cut Pro command a full parcel of applications that touched for $999. The most recent Final Cut Studio included Final Cut Pro 7, Color 1. 5 ( for color editing ), Compressor 3. 5 ( for compressing and exporting finished videos into a soup of formats ), DVD Studio Pro 4 ( for burning DVDs ), Travel 4 ( for adding computer graphics to a project ) and Soundtrack Pro 3 ( for audio editing ).
Any more all Apple offers is Final Cut Pro Mush and Compressor 4 and Locomotion 5, besides newly released Tuesday. The three apps sell separately, peerless supremacy the Mac App Store, with Compressor 4 and Motion 5 selling for $49. 99 each. Altogether, the three apps would cost about $400. 00 - - quite a bit less than $999.
The price drop was met with a very positive reaction in April, when Apple previewed Final Cut Pro X at the National Assn. of Broadcasters trade show in Las Vegas before journalists, filmmakers, TV producers and other creative professionals.
Apple says that DVD Studio Pro, Soundtrack Pro and Color no longer need to be standalone products since Final Cut Pro X has advanced features that replace the old stand - alone programs.
But already, some editors online have complained that Final Cut Pro X favors digital formats over DVD or Blu - ray friendly discs or exporting projects to tape.
And indeed, Final Cut Pro X is one more example of Apple pushing its users toward a digital distribution future - - the software isn ' t available in a hard - copy format.
Mac OS X Lion, the upcoming version of Apple ' s computer operating system, is set to release in July, and like Final Cut Pro X, it ' ll also be available only through the Mac App Store, at $29. 99.
As of now, the only way to get the Mac App Store on an Apple computer is to have Mac OS X Snow Leopard ( version 10. 6 ) installed. Snow Leopard sells for $29 on disc and runs only on Intel - based Macs.
The reaction to Final Cut Pro X so far has varied, with some reviews saying that those who switch will be glad they did, while others express mixed feelings on the new software.
One good feature for those who tepidly decide to plunge into Final Cut Pro X - - installing the new app won ' t remove older versions of Final Cut, as the software did in the past.
So users can have both Final Cut X and Final Cut 7, or older, installed and use whichever they prefer or both until they get used to the new app.
source: http://latimesblogs.latimes.com/technology/2011/06/apple-releases-final- cut-pro-x-to-the-mac-app-store-for-299-dollars.html
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